Alien Skin Exposure 6
By Betsy Finn, M.Photog.Cr., CPP
If you've been around long enough to appreciate the subtleties of film photographs, you will probably be interested in Alien Skin Exposure 6, which allows you to apply a variety of film exposure effects to your digital images. And if you're looking to convert images to black and white, its capabilities are definitely superior to the defaults in many image editing applications.
The interface is fairly intuitive. In the middle you’ll find the image you’re editing, as well as thumbnails of the other images simultaneously open in Exposure. To the left are the presets, both color and black-and-white options. You can choose to replicate the look of certain films (e.g. Kodak T-Max 100), enhance the focus (sharpen), add bokeh effects, or cross-process your image. Here’s a view of the Exposure 6 interface.
There are a variety of views for the preset panel, and you can display by preset name only or show thumbnails of each preset applied to your selected image (two different thumbnail sizes).
The presets panel has subtabs to allow easier location of specific presets: all, color, B&W, favorite, user, recent, and search. You can apply presets to multiple images by selecting more than one in the thumbnail scroll. If you find yourself going back to the same presets over and over, there is an option to add your most-used presets to the Favorite tab, and there's a Recent tab as well. You can save presets for later access from the User tab.To save a preset, click the + button and a window will open for saving your preset.
The right panel contains a navigator window, overall intensity slider, and all the different aspects of the image that you can tweak (or that the presets adjust for you): basic, color, tone curve, vignette, overlays, focus, grain, IR, bokeh. Each can be turned on or off for a given image (click on the green button) or reset to defaults (the circling arrow icon).
Basic: Here you can select color or black and white and adjust standard image settings. There are setting sliders for exposure, contrast, highlights, shadows, clarity, vibrance, and saturation. You can also type in a positive or negative number value to the right of a given slider.
Color: There are two sections: color filter and color sensitivity. The color filter has several presets (warming, cooling, etc.), or you can create your own with the option to preserve luminosity or not. Color sensitivity can be adjusted through equal weighted presets (RGB or RYGCBM), or presets weighted toward a specific color range, such as reds. There are also sliders for each color if you want to manually adjust the color sensitivity. Both sections of the color panel have an option to save your adjustments as a user preset.
Tone Curve: You can adjust the tone or apply split toning here. Presets for the tone include brighten highlights, crush blacks, shadow recovery, and more. You can use eyedroppers for white, gray, and black points, or adjust sliders for contrast, shadows, midtones, and highlights. If you want to apply split toning, there is an expansive range of options, including platinum, selenium, and sepia. Again, these sections have options to save your settings as a preset.
Vignette: Apply a preset (subtle, distortion, etc.) to create either a black or white vignette on your image. You can adjust the amount, size, roundness, softness, distortion, and even select the vignette location on the image. Saving presets is an option here, too.
Overlays: A variety of overlays can be applied to your image, including a border, light effect, or texture. You can also select an area of the image to protect from the overlays. The border effect can be zoomed in, and it can be inverted from black to white. Light effects add sun flare or corner light leakage to the print (zoom and opacity can be adjusted). Finally, you can add dust, paper, or scratch textures to the image (zoom, opacity, and black/white inversion are options).
Focus: Adjust the image’s clarity with sharpen and blur. Sharpen sliders include amount, radius, and threshold; blur sliders include opacity, radius, and lens warp. There are a number of presets to choose from (glamour, sharpen, soften), or save your own.
Grain: Create or use an existing preset, and adjust overall grain strength here. You can fine tune amount (shadow, midtone, highlight), type (roughness, push processing), and size (automatic, film format, etc.).
IR: Adjust color contrast, halation opacity, and halation spread. You can save presets, or use existing ones (glow, IR, no halation).
Bokeh: Choose a focus region (show mask if you want), then adjust lens settings or use a preset (amount, zoom, twist, creamy, curvature, shape, and rotation). There are creative and traditional apertures, including hearts, plus signs, stars, etc. Highlight adjustment sliders include threshold and boost; grain matching sliders are for strength and size.
Overall, I’ve enjoyed using Exposure 6 with my client images. I appreciated the black-and-white conversions, which definitely have more oomph than the standard desaturation options. One of my other favorite aspects of Exposure 6 is the batch editing feature. This is essential for any photographer looking to efficiently edit images or apply exposure presets. The only shortcoming, as I see it, is that you have to open the images in Exposure 6 to access all the neat presets. But, if that’s something you’re willing to integrate into your workflow, go for it.
Exposure 6 is a standalone software with many presets, allowing you to quickly create and apply a variety of film effects to your digital images. You can save presets, edit images in batches, and tweak settings to your liking.
You may not need many of the presets, and may not want to use a separate interface when editing. Depending on your workflow and image processing style, it may be difficult to integrate Exposure 6 smoothly.
Exposure 6 is $149. For more information, or to download a free trial, visit http://www.alienskin.com/exposure/.
Betsy Finn, M.Photog.Cr., CPP, is a portrait artist in Michigan.