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June 2010 Archives

June 1, 2010

Flash Demo: Einstein 640 Monolight

In the June issue of Professional Photographer magazine, Ellis Vener reviewed the Einstein 640 monolight from Paul C. Buff. In this test, Ellis pushed the limits of the Einstein’s recycle speed. He captured 145 frames at 10 frames per second with the Einstein set to 18.7 watt-seconds. The Canon EOS-1D Mark IV exposures were set for 1/250 second at f/8, ISO 400, capturing large JPEGS recorded to a Lexar Professional 600X CompactFlash card. Ellis compiled the frame animation using Adobe Photoshop CS5 Extended.



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Review: ExamDiff Pro, A Visual Directory and File Comparison Tool

By Betsy Finn, Cr.Photog., CPP

The time finally came this year for me to replace both hard drives on my PC. No, I didn’t experience a data loss, and there was no catastrophe … It’s just that after five years of wear and tear, I could tell that my hard drives were no longer up to speed with the latest technology. Plus, I was running out of storage room.

So, my Tech Department (a.k.a. my husband) ordered the new parts for my computer, and I began the tedious process of backing up my data onto my external hard drives.

Now, when you’re working with a blank drive, it’s easy to copy all the files from the old location to the new location. But in this case, I already had some of the data backed up onto the external hard drive and needed to make sure that when my copying spree was over, I hadn’t missed anything in the process.

The tedious way of doing this involves manually opening each folder, counting the number of files, and cross-checking creation/modification dates. With 900+ GB of data, I knew there had to be a better, more efficient way.

Enter ExamDiff Pro. A friend had recommended the program to me, so I decided to check it out. And I can tell you, this program was a huge time saver!

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Review: Tenba Bags Trifecta (Messenger, Ultralight, Daypack)

Betsy Finn, Cr.Photog., CPP

Over the past few weeks, I’ve had the opportunity to test out three Tenba camera bags in the field. 

• Messenger Camera Bag
• Shootout Ultralight Photo Backpack
• Messenger Photo Daypack

Each has its own advantages, and best uses.  


Tenba’s Messenger Camera Bag is a typical over-the-shoulder bag with plenty of pockets and lots of organization. I found this bag fit best with my everyday working habits. I was able to pack two camera bodies, three lenses (including telephoto), and three speedlights, with plenty of room to spare for my light meter, keys, and even some other gadgets. I found one of the end pockets to be just the right size to hold my three speedlights (though not padded, this pocket allowed for easy access and stowing).

The top flap has a quick-access zipper, as well as a “silent mode” flap that you can use to cover the Velcro closure. If you ever work in environments where being quiet is a necessity, you’ll really enjoy not having to worry about the invasive sound of Velcro pulling apart when you go into this bag. The bag has a front organizer with six compartments, as well as more organization for memory cards, keys, etc in the zippered pocket on the flap.

Finally, if you need to pick up this bag and don’t want to use the shoulder strap, there is a hand-carry strap as well. I have no complaints about my time spent using the Tenba Messenger Camera Bag – my camera may well have found a new “everyday” home!



The Tenba Messenger Camera Bag (above) retails for $129.95.

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Good Works: Portraits of Support, Words of Encouragement

"Faces of Survivors" Exhibit by PPA Photographers Features 25 Ohioans Fighting Cancer

Twenty-five cancer survivors and patients are the subject of a new portrait study by Kevin Mears, M.Photog.Cr., and Amy Mears, M.Photog., CPP, of Mears Photography in Chillicothe, Ohio. Called “Faces of Survivors,” this photographic exhibit will hang from June 8-13 at the Pump House Center for the Arts.


Above, parents Leighanne and Aaron Johnson with
their cancer-survivor daughter, Caroline.

Working with Southern Ohio Survivors, the Mears Photography duo put out a call for subjects. Featured participants in this cancer awareness project range in age from 14 months to 70+ years. The situations for the participants are as diverse as the class of diseases called cancer. Some of the subjects are still in treatment; many have been in remission for some time.

“We asked the survivors to invite one or two people to take part in this photography event with them,” explains Amy Mears, co-owner of Mears Photography. “We also asked them to share words of encouragement that symbolize the part this support person or team played in their fight against cancer.”

The two portrait artists photographed each cancer survivor, along with their support person or people. The Mears then incorporated the words of encouragement—from quotes to Bible verses—into the final image production, creating a one-of-a-kind portrait study in black and white.

“We all know people who are battling cancer: family members, friends, neighbors. So, my husband and I wanted use our time and talent to support the people in our community who are fighting this disease. Our discussions inspired the ‘Faces of Survivors’ project and Southern Ohio Survivors was an ideal partner for this project,” Amy Mears says. Mears Photography contributed the photographic talents of Kevin and Amy to this project, along with studio time and design work.

“We couldn’t have done it without the overwhelming support of Southern Ohio Survivors and the Pump House Center for the Arts,” Mears says.

“Faces of Survivors” will hang from June 8-13. The exhibit will be a featured stop in the Historic Downtown Chillicothe Gallery Stroll on June 12, including a “Faces of Survivors” Meet the Artists and Survivors reception at the Pump House Center for the Arts in Yoctangee Park from 7-9 p.m.

Following the exhibit, the wall portrait size photographs will be gifted to the cancer survivor featured in the image. “We didn’t expect so may volunteers to step forward to become part of the project. Thanks to the overwhelming support we have received for this project, we plan to make this an annual event,” Amy Mears concludes.

June 10, 2010

Leveraging your Greener Photography Business

By Carli Morgan & Alina Prax

Being eco-friendly is more than an expression for certified Greener Photographers: it’s about choosing practices that have less negative impact, and more positive impact. Leveraging your greener photography business attracts like-minded consumers and builds ties within the environmentally conscious community. Here are some ways you can expand your green business network.


Act Locally! Identify other eco-friendly vendors in your area. A simple internet search can turn up local companies that have green business practices and products. Establishing working partnerships with local companies and organizations can help you reach many more eco-minded consumers than you can reach on your own.

Identify potential businesses with whom you can partner to reach eco-minded clients

o Attend a local Green Drinks
o Search on Etsy for local artisans
o Find out where your eco-minded clients are spending their time and money. For example:

• Are they are doing a beach clean-up with Surfrider Foundation?
• Volunteering for their local private school with the environmental focus?
• Are they members of the Sierra Club?

After identifying the companies and/or organizations with whom you want to partner, foster community by offering your services. For example:

• Photograph their Board of Directors
• Photograph their events
• Provide images for their website
• Photograph and provide prints and albums for green wedding venues, florists, and bakeries

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June 30, 2010

Marketing Yourself as a Greener Portrait Photographer

By Dawn Tacker

It's relatively easy to show the world that you care about the environment. Demonstrate your green-ness in your business as well to connect with the educated, savvy group of families that make wonderful, caring portrait clients. Together you and your clients can help bring positive change.


Understanding the Eco-Aware Family

Many families who are concerned about the environment view all their purchasing decisions through a green lens. The power of supply demand is a beautiful thing - as more like-minded consumers ask for and purchase greener options, more options are available to them. The photographic industry is in its infancy when it comes to offering greener products. Ride the wave of change by understanding your eco-friendly options in photography, educating your clients about their greener options, and letting your environmentalism shine through all that you do.

Educate consumers

  • Have a well-articulated environmental policy on your website that indicates all the things you do to run a greener business. Going through Greener Photography's certification process will provide a roadmap for writing your statement.
  • Help your clients understand the environmental impact of traditional photographic products. For example, explain why RC prints are not eco-friendly.
  • Ensure all aspects of your business reflect your environmentalism. For example, use recycled paper/natural paper options for printing promotional materials. Start with Greener Photography's list of offset printers offering such products.

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10 Video Tips for HDSLR Beginners

By Lindsay Adler

If you have an HDSLR camera, video is a great way to add an extra dimension to your work and even offer value-added services to your clients. Some photographers are beginning to differentiate themselves through their video capabilities, and others are finding video an exciting new realm for creativity.

If you are just getting into video, here are a few basic but essential tips to keep in mind.

1. Don’t Forget the Rules of Photography: Don't forget everything you’ve learned as a photographer. That the same rules of composition and lighting apply here. Just because you add motion doesn’t mean you should drop in visual quality.

2. Add Movement: We are often used to posing our subjects to capture a still moment in time. If you try this same static approach to video, it might as well have been still images. Add motion, action and interaction to your video. You don’t just have to focus on the movement of the subject, but you can also try moving the camera, like including pans (lateral movement of camera). In video, using zoom may have an amateur look; used correctly, it emphasizes tension or intense focus on a subject.

3. Get the Angles: Try to capture all the different angles for variety. It is often suggested to capture a wide shot to establish the scene, a medium shot to meet the subjects, a close-up to interact with the subjects, and super close-up for visual interest and variety. Instead of zooming in, you capture different angles and draw the viewer into the scene. In many cinematic productions, each shot is only on screen for a matter of seconds, which helps keep up the momentum. Use your different lenses—everything from wide angle to macro.

4. Tell a Story: It is even more important to tell a story in video than with photography because you must engage the viewer for a period of time. When you are telling a story with a plot, quest or some end goal, you will be better able to hold the relatively short attention span of today’s Internet generation.

5. Prepare: Video requires more thought and preparation because the segments must be stitched together into a cohesive piece. Summarize the story you want to tell, and figure out what shots you need to tell the story. Consider drawing out a storyboard to figure out which shots you’ll need, and how you can accomplish these shots.

Continue reading "10 Video Tips for HDSLR Beginners" »

About June 2010

This page contains all entries posted to Professional Photographer Magazine Web Exclusives in June 2010. They are listed from oldest to newest.

May 2010 is the previous archive.

July 2010 is the next archive.

Many more can be found on the main index page or by looking through the archives.

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