In the June issue of Professional Photographer magazine, Ellis Vener reviewed the Einstein 640 monolight from Paul C. Buff. In this test, Ellis pushed the limits of the Einstein’s recycle speed. He captured 145 frames at 10 frames per second with...
By Don Chick, M.Photog.Cr., CPP The impressive Nissin Di866 flash is an economical flash option that deserves serious consideration from pro photographers. I tried it out at our annual NHPPA Conference in April and am excited to say that I...
By Ron EggersInnovative commercial light modifiers and huge technological advances have vastly improved on-camera flash. Ranging from simple reflectors to light channeling devices to sophisticated diffusers and mini soft boxes, these modifiers give you considerable control over the quality, temperature,...
By Jeff Lubin, M.Photog.Cr. One of the most interesting and challenging but least-taught studio lighting patterns is the double profile. All effective portraits attract the viewer’s attention to where the artist wants to draw the eye. In the case of...
By Jim BenestThe following is partially excerpted from Andrew Darlow’s "301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers" (Course Technology, PTR).There are many ways to light artwork. You can choose different types of light (traditional halogen,...
In the January issue of Professional Photographer magazine, Stan Sholik demonstrated three different types of product shot. Each required a lighting setup that fulfilled the needs of the client, including budget and time restraints, and that suited the intended purpose...
Our November issue of Professional Photographer magazine featured an article on David Hobby and Strobist.com, a Web site dedicated to encouraging photographers to experiment and learn new techniques with the versatile yet unsung hot-shoe flash. Here are direct links to...
Capture the essence of a male subject in a single image. By Don Chick, M.Photog.Cr., CPPThough colleagues often kid me about my portraits of “old men with hats and beards,” I’ve found photographing men to be interesting and rewarding. Images...
Press Release—Come and learn to see light as you never have before. Join Master Photographer Don Chick, M.Photog.Cr., CPP, D.C.Ph., for a daylong workshop to deepen your understanding of the art and craft of studio portraiture. This class will immerse...
By Don Chick, M.Photog.Cr., CPP Image ©Don ChickLooking is not seeing. Seeing involves asking what, why and how as your eyes take in a situation. Seeing is what an artist does while taking in the world around them. The...
By Don Chick, M.Photog.Cr., CPPHave you recently purchased a new light modifier for your main light? Maybe you have one that you’ve had for awhile, but you’re still not happy with the results you are getting. Your pictures just don’t...
By Sara Frances, M.Photog.Cr.Use of light creates meaning, defines photographic art and sets the pro apart from the beginner. It is the stock in trade of the boutique photographer. Environmental portraiture and events are rife with difficult lighting conditions that...
By Don Chick, M.Photog.Cr., CPP Let’s face it, photography is about lighting. Yes, composition is important and emotion is important, but without lighting, you have nothing. Light is everything … almost.As a piece of music has rhythm, harmony, and melody,...
Press Release—Canon Explorer of Light and author Jack Reznicki is on tour, presenting a full day of “Need to Know” lighting and digital information. If you have ever wanted to work with studio lighting but didn’t know where to start,...
By Joan T. SherwoodThe Sharpics D-Flector and Compact Studio Light Kit combination gives you the bare basics to begin dabbling in product photography: white, black and reflective backgrounds in a standalone case and two tabletop lights with 30-watt fluorescent bulbs...
By Karen Linsley, CPP Those of you who use on-camera flash might be interested to hear of a relatively new product called the Hughes Soft Light Reflector. This light modifier, made by Jerry Hughes, joins the ranks of Gary Fong’s...
By Joe FaraceWhether in the studio or on location I prefer wireless flash unit tripping for many reasons, like having one less cord to fall over. Untethered shooting has lots of additional advantages for photographers who may be less clumsy...
Elinchrom's new RF flash trigger performs flawlessly in testsBy Stan Sholik Devices for the remote triggering of flash units fall into two categories, infrared (IR) and radio frequency (RF). Of the two, RF devices are the more versatile. With RF...
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